Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’(🐞)s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’(👐)s nothing to worry about.

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

风度(dù )翩翩的(🔥)(de )医生(shēng )动了(le )色(📐)心，欲迷晕少女(😥)但错手杀人，险(🕷)被(bèi )送上(shàng )断(🦃)头台(tái )，以(yǐ )为(💺)逃(táo )出鬼门关(🛴)，岂知魔鬼已盯(😟)上他。战争(zhēng )前(🍎)夕(xī )，他被(bèi )发(🍈)配(pèi )边疆(jiāng )，继(🏤)而被奥匈帝国(🛑)将领重用，沉迷(😬)研(yán )究麻(🧔)(má )药(yào )乙醚(mí(🔥) )。药(yào )物能(néng )麻(💎)醉止痛，亦能制(🌽)造不知痛楚(🤚)不(🍰)懂畏(wèi )惧的(🚅)科(🤓)(kē )学怪(guài )人(🤾)。而(㊗)他(tā )心底的(😂)欲(🛰)望，是想找到(🖖)完全驾驭他人(🥚)(rén )灵魂的(de )方法(🍪)(fǎ )。赞(zàn )禄西继(✖)《色》（39 届）后再(🃏)度审视传统(tǒ(🍗)ng )道德(dé )防线，两(🛣)段(duàn )式结(jié )构(🤠)揭示妙手狂医(🚑)跟魔鬼握手的(🅰)浮士德(dé )心路(🉑)(lù )，亦检(jiǎn )视法(⬜)(fǎ )西斯(sī )之兴(📔)起，绝对的(🍱)权力将令人绝(🌜)对腐化(huà )。

Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

麦(mà(🙏)i )昆(kūn )本想(xiǎng )给(🍆)女(nǚ )友来(lá(📼)i )一(🥫)场创意十足(😏)的(🚾)求婚，但在毫(🐭)无(🈹)预兆(zhào )的情(🖋)况(🖐)(kuàng )下结(jié )束(✳)了(le )一场轰轰烈(🔚)烈的爱情，结局(📂)悲惨而可笑…(⚓)…在经(jīng )历过(⏳)(guò )失恋(liàn )博物(🐫)馆中的种种“失(🤨)败”后，麦昆放(fà(📋)ng )下了(le )，觉得(dé )那(🔕)段(duàn )失败(bài )的(👔)爱情反而激励(🎈)了自己，让自己(⛴)学会(huì )了如(rú(🔠) )何去爱(ài )一个(gè )人，用什(🚳)么样的方式让(🙊)双方相处，也明(🥪)白(bái )了自(zì(👭) )己(💚)(jǐ )该选(xuǎn )择(🌦)去(🐧)(qù )爱一(yī )个(🔈)什(🔗)么样的女孩(⚪)。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.